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March 21 2003 PUERTO RICO HERALDDancer-choreographer Ivan Olmo, whose Teatro Físico Polimnia (Polimnia Physical Theater) has been presenting experimental and traditional movement performances and festivals for close to ten years, is at it again with the Third International Festival of Mimes and Physical Theater of the Caribbean at the Carlos Marichal Hall of the Luis A. Ferre Performing Arts Center May 23-25.
The festival will include performances by Rick Warner from the US, London-based Ana Sánchez-Colberg, Juan Monsalve and his Teatro de la Memoria (Theater of Memory) from Bogota, Colombia, and local favorites Luis Oliva, Gil René and Myrna Renaud, as well as Polimnia. For tickets call the Performing Arts Center (Bellas Artes) at 787-620-4444 or visit www.cba.com.pr. For information call Polimnia at 787-725-7792. Artmedia NewsArtmedia News ================================================== Welcome to the April 2004 edition of the Artmedia physical theatre newsletter, a publication with an Australasian focus and a global perspective. You are receiving this because you are on the Yahoo Artmedia Physical Theatre News list, and we are happy to report that subscribers are continuing to sign up as they realize this is now the only way to get the newsletter. Again we urge you to check with you friends to see if they have signed up, as this word of mouth is the best way to keep the community connected. If not they can re-subscribe on the artmedia site. We welcome the 4th International Mime and Physical Theater Festival of the Caribbean as sponsor this month. Polimnia Physical Theater, directed by choreographer Ivan Olmo, is organizing the festival, to be held from May 14 to 16 in Puerto Rico. They are also 'planning the selection for the 5th Festival for 2005, and we are looking for new, fresh and talented artists'. In Playspace news, the earlybird deadline on the 5 week Sydney clown school is coming up in a couple of weeks, in early May, so contact me if you want to get the best deal on this course. I am off to New Zealand for a couple of months, so the 3 day clown masterclass which was to take place in May, has now been moved to October. In the Features this month we welcome Jango Edwards, ( my first clown teacher, at a workshop in Stockholm in 1977 ), with information on his 10th Annual Clown Master Class in Cannes, France. Go Jango! This 'Clown Theory Master Class' will take place at the 'Performance d?Acteur Festival', in Cannes, France, in June. In the networking, Critical Path, the Choreographers Association in Sydney, seeks a Director, the Korn Patch Klowns announce the North Central COAI Regional Conference in the USA, and interest is sought for BuskerFest, Toronto's Street Performer's Festival in Canada. Our problems in Australia with the conservative government, is brought home this month by a post from 'Clowns without Borders' in Sweden, who, after their last expedition to the Bhutanese refugee camps in Nepal, are now seeking collaborators for an Australian Refugee Detention Centre project. We also have information on an Intensive with DAH Theatre Research in Serbia and Montenegro, some news on Forced Entertainment, described as 'brilliant experimental theatre' from Britain. And we have a bit of a clown theme, as we often do, with information on an interesting clown training program in Italy, 'In Search of Clown', at the School of Theatre Creation in Padua. Those who were following the Clown Debate in this newsletter last year will be interested in this course description. In the Noticeboard, Reg Bolton is researching 'Perceptions of Circus', and looking for help with references to circus and clowns in pop songs, while 'London Toast Theatre', an English speaking theatre company from Copenhagen in Denmark, is seeking an Australian tour. We aim to provide an avenue of communication for the growing physical theatre community, so please send us information for inclusion in this newsletter. Please also forward this to somebody else who may be interested. Chrysler VIP of the Day
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